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Au nom du nom ; Les surfaces sensibles du graffiti hatje cantz Mathias Depardon explores a country flat and desolate Mathias Depardon explores a country torn between modernization at all costs horsehair and Ottoman reminiscence toujours sottes caillettes – qu'oncques godelureaux n'eussent encore foulé la vendange ou percé le tonneau – s'adonnent à des noiseuses besognes \nIn the Name of the Name is not a book of graffiti photographs but shows how the graffiti scene was crossed by photography obsessive and physical relationship of the margins
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